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Fantasy Staff

We are some assemblage of sentient beings who share the collective endeavor of publishing a fine magazine of the fantastic.

Author Spotlight: Sam Kyung Yoo

“Set Yourself on Fire” actually started out as a realistic fiction short story. I wrote it in second-person, originally, but I was drawn to the idea of the narrator being an actual ghostly presence in the story, so I decided to do a complete rewrite using first-person direct address instead. I wanted it to look like it was written in second-person, right up until the moment the narrator makes themself known to the reader as an actual character present in the story who is quietly observing everything. I ended up being a lot happier with this version. Since every word of narration is in the voice of a ghost, the story itself becomes haunted.

Author Spotlight: Lowry Poletti

This story had two distinct points of inspiration. The first was that I wanted to write about a sort of Faustian deal but from a new perspective. It doesn’t make sense to me that a malevolent entity would separate humans from animals; at some point, if you’re so far above the mortal world, wouldn’t humans and animals look the same to you? What would a deal like this look like if it were offered to a wolf, and why would a wolf take it?

Author Spotlight: Hana Lee

What came easiest was portraying Bari’s complicated, tangled emotions of love and resentment for her family. I think children of immigrants, particularly eldest children, will experience my story differently from everyone else. It’s a feeling that’s hard to put into words, but I tried.

Author Spotlight: Davida Kilgore

Most of my writing is fictionalized autobiography, and as I’m getting older I cull through my life experiences looking for my more interesting dramas. I was thinking of my first marriage and how my husband left me high and dry, but he was still able to get U.S. citizenship. I moved to New York as we were going through our divorce and everything I touched turned to gold.

Author Spotlight: Daniel Ausema

This story was written for a Halloween contest, a friendly contest among crit partners, not directly for any kind of publication. It doesn’t really have a Halloween vibe—I quickly abandoned any attempt to make it feel very Halloween-ish—but it came from the prompts another writer suggested to me. A snippet of an Emily Dickinson poem, a creepy image, and a question.

Author Spotlight: Melissa A Watkins

This story was the result of a personal writing challenge. Every once in a while I challenge myself to write something that is really out of my comfort zone or that I just plain don’t know how to do yet. In this case, I challenged myself to write fairy tale retellings and mashups for a period of time, I think about six months. At the end of the challenge, I had five stories.

Author Spotlight: Avi Burton

I write a lot about homelands—longing for them, feeling out of place within them, the mythologized ideal of them, etc. I like cathartic vengeance stories and reimagined myths. And, obviously, queerness, but that one is almost never intentional (except when it is). It’s just the lens through which I see the world, so obviously my stories will be biased towards it.

Author Spotlight: Flossie Arend

This story haunted me for two years before I finally got it out. It taught me that if I can’t stop thinking about something, I should probably start writing it down. Pay attention to your ghosts.

Author Spotlight: Jennifer R. Donohue

It is innocuous and normal to think, “I miss my friend, I hope that I see her again, maybe we’ll patch things up,” but when it turns out the friend has passed away . . . well it’s still normal to miss them, anyway. Less so, when their posthumous letter says “trust me,” to actually trust them. I think it’s also unfortunately normal to still have regrets and what ifs. What if I had reached out sooner, or at all? Did they know how much I cared?

Author Spotlight: Victor Forna

I started my writing journey with poems. I think mostly in poetry when creating, though I believe different stories crave different styles and structures. My favourite things to read, or be inspired by, use a perfect blend of prose and poetic techniques. And I try my best to listen to the story I am working on, its different parts, and do whatever they demand of me.