From Story to Screen
Why do we have such strong feelings for alternate retellings? We love seeing a book come alive on the screen, but it comes with a price: trying to cram pages of character development into a two-hour movie.
Welcome to issue forty-eight of Fantasy! On tap this month… Fiction: The Sandal-Bride by Genevieve Valentine, The Dog King by Holly Black, The God Orkrem by Tanith Lee, The Lonely Songs of Laren Dorr by George R. R. Martin. Nonfiction: Three Real Historical Figures Who Embarked Upon the Hero’s Journey by Graeme McMillan, Five Fantasy Worlds That You Wouldn’t Want to Visit by Te Jefferson & J. Corbeau, Feature Interview: Steven Erikson by Andrew Bayer, From Story to Screen by LaShawn Wanak.
Why do we have such strong feelings for alternate retellings? We love seeing a book come alive on the screen, but it comes with a price: trying to cram pages of character development into a two-hour movie.
“The Lonely Songs of Laren Dorr” highlights one of Martin’s greatest strengths: the ability to see the value of the smallest character and to give that character a voice.
One moment there was only the valley, caught in twilight. The only sounds were the cries of the mourning-birds coming out for the night, and the swift rush of water in the rocky stream that cut the woods.
Using characters from our gaming campaigns always felt like returning to the side of an old friend. Now that being said, there was always plenty of room for fleshing out their backgrounds and personalities, and then moving them forward.
Fantasy should be as ”real” and lifelike as a contemporary novel or story. In some respects, possibly, a little more so.
To a man bereaved of all as I was, distance and time are only words. For me then, and also now, only one word any more can exist: God. The god Orkrem.
Who hasn’t thought of shooting out the eyes of the deserving with an Elven bow? We’ve all been there. But you should actually be really, really glad you haven’t been there at all. Here’s why.
We have all had the experience of being so angry that we say something or do something that hurts the people that we love. I think the idea that we have the potential for a monstrous self is very compelling.
Some say that they can rise up on two legs and speak as men, that nimble fingers can chip away at hinges, that their voices can call promises and pleas through keyholes, that they are not quite what they seem.
Welcome to issue forty-eight of Fantasy! On tap this month… Fiction: The Sandal-Bride by Genevieve Valentine, The Dog King by Holly Black, The God Orkrem by Tanith Lee, The Lonely Songs of Laren Dorr by George R. R. Martin. Nonfiction: Three Real Historical Figures Who Embarked Upon the Hero’s Journey by Graeme McMillan, Five Fantasy Worlds That You Wouldn’t Want to Visit by Te Jefferson & J. Corbeau, Feature Interview: Steven Erikson by Andrew Bayer, From Story to Screen by LaShawn Wanak.