Cat Rambo (Guest Editor & Original Fiction Editor) lives, writes, and teaches by the shores of an eagle-haunted lake in the Pacific Northwest. Her 150+ fiction publications include stories in Asimov’s, Clarkesworld Magazine, and Tor.com. Her short story, “Five Ways to Fall in Love on Planet Porcelain,” from her story collection Near + Far (Hydra House Books), was a 2012 Nebula nominee. Her editorship of Fantasy Magazine earned her a World Fantasy Award nomination in 2012. For more about her, as well as links to her fiction, see kittywumpus.net.
Terri Windling (Reprint Editor) is a writer, editor, and artist specializing in fantasy literature and mythic arts. She has published more than forty books, winning nine World Fantasy Awards, the Mythopoeic Award, the Bram Stoker Award, and placing on the short lists for the Tiptree and Shirley Jackson Awards. She received the S.F.W.A. Solstice Award in 2010 for “outstanding contributions to the speculative fiction field as a writer, editor, artist, educator, and mentor.” Her work has been translated into French, German, Spanish, Italian, Czech, Russian, Turkish, Korean, and Japanese. She has served on the boards of the Interstitial Arts Foundation and the Mythic Imagination Institute (U.S.), and is currently a member of the advisory board for the Sussex Centre for Folklore, Fairy Tales, and Fantasy at the University of Chichester (U.K.).
Wendy N. Wagner (Nonfiction/Managing Editor) grew up in a town so small it didn’t even have its own post office, and the bookmobile’s fortnightly visit was her lifeline to the world. Her short fiction has appeared in magazines and anthologies including Beneath Ceaseless Skies, The Lovecraft eZine, Armored, The Way of the Wizard, and Heiresses of Russ 2013: The Year’s Best Lesbian Speculative Fiction. Her first novel, Skinwalkers, is a Pathfinder Tales adventure. An avid gamer and gardener, she lives in Portland, Oregon, with her very understanding family. Follow her on Twitter @wnwagner.
Here’s the thing. All humans live inside a vast structure made of the flow of power and resources. All around us are the things that have grown to shape and express those flows: conventions and laws and manners and pop culture and highbrow art, architecture, religion, literature . . . even genre fiction.
